Topp & Dubio Remodeling Heterotopia
The Brick Space / …ism project space, The Hague
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On sex & place vol. I and vol. II
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Detached Dwellings
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Pamela Phatsimo Sunstrum It Will End in Tears
The Curve, Barbican Centre
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Sophie Serber Success Breeds Success, Or You Need To Be A Friend To Get A Friend
bologna towers
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June Crespo their weft, the grass
1646
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Albert Serra Liberté
Eye Filmmuseum
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Le Bistro
HERMANY
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Sergei Eisenstein The rhythm of ecstasy: the sex drawings, 1931-1948
Ellen de Bruijne PROJECTS
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On Morgane Billuart’s Cycles, the Sacred and the Doomed: Inquiries in Female Health Technologies
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Marina Abramović Marina Abramović
Stedelijk Museum Amsterdam
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Simnikiwe Buhlungu long time lung time continuuum!!! (a conver-something)
Kunst im Tunnel, Düsseldorf
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On Rizvana Bradley’s Anteaesthetics: Black Aesthesis and the Critique of Form
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Baha Görkem Yalım Mulch Sleep
1646
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Thenjiwe Niki Nkosi Stadium
Stevenson Amsterdam
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Lucy Beech Ooze
Kunstinstituut Melly, Rotterdam
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No More Flies On The Wall
What does an observer do to a room? If you ask me, this notion applies to art writing as much as it does to sociological experiments. Being an observer is the same as being a participant, only more covertly — or more hypocritically, depending on whom you ask. How does my … -
Prix de Rome
Stedelijk Museum Amsterdam
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Ima-Abasi Okon Avg Pace: S %∼ᴱ∼L%∼A%∼H%∼’s%∼peri£meno£pau£sal∼P%∼S%∼A %∼ᴸ∼M%∼’S km — (t!h!a!t-yes-t!!hat incumbent experiential plane to reorganise a c,a,p,a,c,i,t,y of never having enough — Not as a whole but as aprecise h!e!a!p of dignifide agility)
Kunstverein in Hamburg