Tangents
Art Reviews & Writing

2025
  • Amstelveen Variety Matrix

    Ateliers 2005, Amstelveen

    by Lou Vives

  • On Stars at Midday

    by Taylor Le Melle

  • Magali Reus x T.A.C. Colenbrander Parallel Bones

    KM21

    by Annie Goodner


2024
  • Burning Down the House: Rethinking Family

    Kunstmuseum St. Gallen

    by Mehmet Süzgün

  • Topp & Dubio Remodeling Heterotopia

    The Brick Space / …ism project space, The Hague

    by Dido VW

  • On sex & place vol. I and vol. II

    by Taylor Le Melle

  • Detached Dwellings

    by Artun Alaska Arasli

  • Pamela Phatsimo Sunstrum It Will End in Tears

    The Curve, Barbican Centre

    by Christy Eóin O’Beirne

  • Sophie Serber Success Breeds Success, Or You Need To Be A Friend To Get A Friend

    bologna towers

    by Nadia de Vries

  • June Crespo their weft, the grass

    1646

    by Lou Vives

  • Albert Serra Liberté

    Eye Filmmuseum

    by Annie Goodner & Temra Pavlović

  • Le Bistro

    Le Bistro

    HERMANY

    by Becket Flannery

  • Sergei Eisenstein The rhythm of ecstasy: the sex drawings, 1931-1948

    Ellen de Bruijne PROJECTS

    by Amelia Groom

  • On Morgane Billuart’s Cycles, the Sacred and the Doomed: Inquiries in Female Health Technologies

    by Taylor Le Melle

  • Marina, Abramovic, Steledlijk Musuem, Amsterdam, Retrospective

    Marina Abramović Marina Abramović

    Stedelijk Museum Amsterdam

    by The Editors

  • Simnikiwe Buhlungu long time lung time continuuum!!! (a conver-something)

    Kunst im Tunnel, Düsseldorf

    by Becket Flannery

  • Book Review

    On Rizvana Bradley’s Anteaesthetics: Black Aesthesis and the Critique of Form

    by Taylor Le Melle

  • Baha Görkem Yalım, 1646, Den Haag, Sculpture, Installation

    Baha Görkem Yalım Mulch Sleep

    1646

    by Artun Alaska Arasli


2023
  • Thenjiwe Niki Nkosi, Stevenson, Amsterdam, Paintings, Stadium

    Thenjiwe Niki Nkosi Stadium

    Stevenson Amsterdam

    by Annie Goodner

  • Melly, Rotterdam, Lucy Beech

    Lucy Beech Ooze

    Kunstinstituut Melly, Rotterdam

    by Isabelle Sully

  • No More Flies On The Wall

    What does an observer do to a room? If you ask me, this notion applies to art writing as much as it does to sociological experiments. Being an observer is the same as being a participant, only more covertly — or more hypocritically, depending on whom you ask. How does my …

    by Nadia de Vries

  • Prix de Rome, Amsterdam, Josefin Arnell

    Prix de Rome

    Stedelijk Museum Amsterdam

    by Becket Flannery

  • Kunstverein, Hamburg, Ima-Abasi Okon

    Ima-Abasi Okon Avg Pace: S %∼ᴱ∼​L%∼​A%∼​H%∼​’s%∼​peri£meno​£pau​£sal∼​​P%∼S%∼A %∼ᴸ∼​M%∼’S km — (t!h!a!t-yes-t!!hat incumbent experiential plane to reorganise a c,a,p,a,c,i,t,y of never having enough — Not as a whole but as aprecise h!e!a!p of dignifide agility)

    Kunstverein in Hamburg

    by Annie Goodner

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